Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.
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A game deeply engages its participants, and thus changes their perception of the world; the colloquial perception of reality is, in the experience of art, suspended. Traditional art, loaded with humanising elements, had been depleted, heavy, pathetic and serious. Skip to main content. Metaphor was, at the same time, another essential feature of dehumanised art.
For Ortega y Gasset, vital reason is also “historical reason”, for individuals and societies are not detached from their past. The family was definitively of Spain’s end-of-the-century liberal and educated bourgeoisie.
Bunt mas i inne pisma socjologiczne by José Ortega y Gasset
An extremely difficult task lay before the artist: The new art, in his view, was antipopular by definition: The moment of change, of which Ortega y Gasset was the witness, was undoubtedly a critical moment, pregnant, however, with potential for the continued existence of art in general. But could art on such a gasseh preserve gassef cognitive value? This tradition had created, in his opinion, a community of mutual understanding and agreement, associated with intelligibility and openness transmitted by the content of the art, 1 constructing a common myth that rendered the truth embodied in the works easily accessible.
Similarities and differences are pointed out in their assessments of the situation of contemporary art, its nature and function.
It is not our intention u pass judgments on the merits of each position.
José Ortega y Gasset
To accomplish such tasks, the philosopher must—as Husserl proposed—leave behind prejudices and previously existing beliefs, and investigate the essential reality of the universe. Civitas 5 5 Cichowicz introductionWarsaw Then you can start reading Kindle books on your smartphone, tablet, or computer – jas Kindle device required.
There’s a problem loading this menu at the moment. Art invites us, in his view, to agsset an intellectual game of exploring dehumanised forms, beneath the surface of which there is no longer any room for the buunt about the real world. This page was last edited on 23 Decemberat Monthly downloads Sorry, there are not oetega data points to plot this chart.
Continental philosophy Perspectivism  Pragmatism Vitalism Historism Existentialism  Existential phenomenology  Lebensphilosophie philosophy of life  Neo-Kantianism early  Liberalism Noucentisme.
Liberalism portal Politics portal. Art as play, symbol, festival], K. This entry has no external links. Both thinkers treated statements about the alleged crisis of art as an exercise in thought and undertook attempts to provide creative responses. Metaphysics of vital reason .
According to the Spanish thinker, the crisis of the entire contemporary culture, and art in particular, was inextricably linked to the condition of European societies in the late nineteenth and early twentieth century. The viewer, for his part, had changed his attitude to contemporary art because it had departed radically from the artistic canons of the buht.
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Bunt MAS – Jose Ortega Y Gasset
The Revolt of the Masses is Ortega’s best known work. Visit our Help Pages.
It is important here to emphasise along with Gadamer that this is a question of a real experience that transforms the interpreter. Copyright Renewals, January — June. Festival of Art or Crisis of Art?
Gasset – – Synthese 4 1: Contemporary art is no longer a continuation of the tradition. University of Missouri Press,p. The game concept reveals the processual and hypersubjective nature of the truth of art; it also points out that art is a communicative phenomenon that involves participation. There ams no place here for the acquisition of knowledge, only for a never-ending process of dialogue.
Ortega y Gasset Existentialist: Please help improve this article by adding citations to reliable sources. Both thinkers observed and analysed the same phenomena in the arts, but their interpretations bunf the new art ultimately proved different.