product ID: ; Pages: ; Pattern: tlačená kniha; Size: 21 x 15 x 2,5 cm; ISBN: ; Language: čínština. ,- €Price. for ordering. Gabriel García Márquez Sto Rokov Samoty. 5 likes. Book. Gabriel Garcia Marquez – Sto rokov samoty. Gabriel Garcia MarquezBucket ListsBook JacketBook Cover ArtThe Bucket ListPacking ListsWish List.

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Sto rokov samoty – Gabriel García Márquez – Google Books

By using this site, you agree to the Terms of Use and Privacy Policy. Aureliano arrives in a basket and Fernanda is tempted to kill the child in order to avoid shame, but instead claims he is an orphan in order to cover up her daughter’s promiscuity and is forced to “tolerate him against her will for the rest of her life because at the moment of truth she lacked the courage to go through with her inner determination to drown him Higgins writes that, “By the final mqrquez, however, the city of mirrors has become a city of mirages.

She dies some time after she turns years old she had eventually stopped counting[12] surviving until the very last days of Macondo. The company arranges for the army to kill off any resistance, then leaves Macondo for good.

Technically, use of particular historic events and characters narratively renders One Hundred Years of Solitude an exemplary work of magical realismwherein the novel compresses centuries of cause and effect whilst telling an interesting story. She exhibits a very strong character and often succeeds where the men of her family fail, for example finding a route to the outside world from Macondo.


Later, he begins a tentative friendship with Aureliano Babilonia, his nephew. The extraordinary events and characters are fabricated. Paralyzed and bedridden, he spends the rest of his long life in solitude.

When he moves with Amaranta Ursula to Macondo he thinks it is only a matter of time before she realizes that her European ways are out of place, causing her to want to move back to Europe. She plays an integral part rokpv the plot as she is the link between the second and the third generation of the Buendia family. This archive narrates the story of a Latin Rikov discovered by European explorers, which had its historical entity developed by gabrkel printing press.

However, it also causes the reader to call into question the limits of reality. Pietro is a very handsome and polite Italian musician who runs a music school. As he reads the manuscript, a hurricane destroys all trace of Macondo’s existence. She dies shortly after the marriage from a blood poisoning illness during her pregnancy. Nobel Lecture, Hispanic Heritage in the Americas.

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She rejects clothing and beauty. This ushers in a period of prosperity that ends in tragedy as thousands of striking plantation workers are massacred by the Colombian army, an incident based on the real life Banana Massacre of He returns from Rome without having become a priest. For example, one learns very little about its actual physical layout.

The future Colonel Aureliano falls in love with her, despite her extreme youth.


The ghosts and the displaced repetition that they evoke are, in fact, firmly grounded in the particular development of Latin American history”. The fate of Macondo is both doomed and predetermined from its very existence.

Ivan Puškáč (Translator of Sto rokov samoty)

Yellow and gold are the most frequently used colors and they are symbols of imperialism and the Spanish Siglo de Oro. He is taciturn, silent, and emotionally charged. She then takes Meme to a convent. The plantation is run by the dictatorial Mr. He flirts with alchemy and astronomy and becomes increasingly withdrawn from his family and community.

Perhaps the most dominant theme in the book is that of solitude.

There are no wasted sentences, no mere transitions, in this novel, and you must notice everything at the moment you read it.

Amador, who escapes into the jungle only to be assassinated at the doorstep of his father’s house many years later. He dies at the exact instant that his twin does.

During the wars he fathered 17 sons by unknown women, [12] all named Aureliano. Rocamadour is a fictional character in Hopscotch who indeed dies in the dokov described.

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