Misc. Notes, These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Purchase. Scores. Motet Notes. Orlando Gibbons: “Almighty and Everlasting God”. Orlando Gibbons ( – ) is a British contemporary of Heinrich Schütz. He is one of the. Almighty and everlasting God. composer. Orlando Gibbons (). author of text. Anonymous – liturgical. Collect for the third Sunday after Epiphany,
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The Glory of Gibbons. Introspection Late Night Partying. This genre took the place of the Latin motet as an independent sacred composition for choir alone.
Though Orlando Gibbons was principally employed as one of the organists to the English Chapel Royal, he is far better known today for his compositions for the English church choir. First and Franklin Street Presbyterian Church. Almighty and Everlasting God, with a text from the Anglican collect for the third Sunday after Epiphany, shows both Gibbons ‘ contrapuntal fluency and the text-sensitivity he learned from contemporary English madrigalists.
English text Almighty and everlasting God, mercifully look upon our infirmities, and in all our dangers and necessities stretch forth thy right hand to help and defend us, through Christ our Lord.
A Musical Journey into the English Renaissance. A new and insistent point of imitation highlights the manifold nature of “all our dangers and necessities. No less aand, however, are several of his more modest four- and five-voiced anthems, including the ggod Almighty and Everlasting God, which remains a “standard” for the Anglican Church.
Gibbons stands in a proud and flourishing line of English church composers: Like his contemporaries, Gibbons wrote for the church full Services; several Verse anthems that juxtapose soloists, choirs, and often instruments; and a number of so-called “full” godd.
Rod Mather submitted The opening is broadly imitative, as if to evoke the expansiveness of God’s power in its counterpoint; Gibbons sets the subsequent plea that He “mercifully look upon our iniquities” to a more compact, contrapuntally more intense passage.
Gibbons O – Almighty and everlasting God | The Choir of St John’s College, Cambridge
Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Almighty and Everlasting God Composer: Public Domain Edition notes: This page was last edited on 5 Augustat Sexy Trippy All Moods. Views Read View source View history. Rafael Ornes submitted Andrew Sims submitted Tudor Music for Men’s Voices. With a Merrie Noyse: Collect for the Third Sunday after Epiphany Number of voices: Christ Church Cambridge Evensong Choir.
Original text and translations English text Almighty and everlasting God, gkbbons look upon our infirmities, and in all our dangers and necessities stretch forth thy right hand to help and defend us, almjghty Christ our Lord.
Alleluia, Song of Gladness. A Millenium of Music in Westminster Abbey. Retrieved from ” http: The anthem proceeds in five sections, corresponding to the breaks in text; each is articulated by a cadence, a change in texture, and a new musical motive.
Almighty and Everlasting God (Gibbons, Orlando)
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Music of the Realm: Music By Orlando Gibbons. Orlando Gibbons Source of text: Collect for the Third Sunday after Epiphany. Streams Videos All Posts.