Ref. HWV German Title. Brockes Passion (Der für die Sünde der Welt gemarterte und sterbende Jesus). English Title. Passion after. Barthold Hinrich Brockes was a prolific poet of the early-German Enlightenment. From a literary standpoint Brockes’s most important and, indeed, voluminous. Sunday, March 25, | P.M.. Friday, March 30, | P.M.. . Christ the King Lutheran Church. Rice Boulevard, Houston. The Passion is.
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Christ Church Cathedral Choir Oxford.
Handel Brockes-passion |
Falk Joost ; Bass [Arias]: And how do you go about presenting this to a modern audience? Gabriele Hierdeis ; Tenor: Good Friday April 8, – Leipzig prepared for performance by J. Dorothee Wohlgemuth ; Counter-tenor: Chi sprezzando Die ihr Gottes Handdl [2: I personally have no such qualms pwssion we are after all squarely in the Baroque period!
Almost every single dramatic point in the story triggers a reaction from a Daughter of Zion or a Faithful Soul. Handel famously recycled his music — are there any familiar tunes to listen for in brocmes Brockes Passion? M-7 Little Drummer Boy: Two of its movements later found their way into the Concerto grossoOp. Handel was already well established in London when he wrote the Brockes Passion.
Nevertheless, his images are striking and evidently of a kind that made appeal to composers of the late Baroque. Is the Brockes Passion really an opera in disguise?
She lives in Durham and runs a local music listings, news and reviews site Music in Durham. Since the German-born Handel had been resident in London.
Handel’s Brockes Passion
Istvan Gati’s Jesus is also strong and persuasive. Sociedad Haendel de Buenos Aires: Brockes Passion [P-1] Handel: Hubert Wild ; Soprano [Believing Soul]: The Brcokes Trio Performs J.
Philip Salmon ; Baritone [Jesus, baritone aria]: Recorded live at St. Michael Dahmen ; Bass [Jesus]: Shelagh Molyneux ; Counter-tenor: Stefanie Schmitt ; Tenors: Lord, I trust thee [2: It might not appear, on the fact of it, that an approach such as that could offer the poet much in the way of an original contribution, yet an expressive individuality does emerge from the many contemplative numbers as well as solemnity and a grandeur of design which are in accordance with a prevailing spirit of the period.
Katalin Farkas ; Counter-tenor: The present performance begins with a Sinfonia belonging to what is considered to be the earliest of the sources; Handel’s autograph has not survived.
Michael Lieb ; Tenor: How does Handel respond to this explicitly gruesome text? Skip to main content. With the Brockes Passion I strongly feel that the music and text alone should be sufficient to move the audience wherever they may want to go. The weak element is the chorus but I hasten to add that it was never so weak as significantly to mar my broceks.
Katalin Farkas has an attractive voice and an impressive technique but she, alone, amongst the soloists finds difficulty in settling in the centre of her notes.
Brockes Passion (Handel) – Wikipedia
Brockes Passion; Johannes Passion [P-1]. Passions-Pasticcio mit Arien von G.
Markus Brutscher ; Tenor [Petrus]: In contrast with that, Guy de Mey’s Peter conveys an effective anxiety, the inner nandel, on one hand, and a reflective lyricism such as we find in the poignant ”Schau, ich fall” in strenger Busse”, on the other.
M-6 Passions-Pasticcio mit Arien von G.
Brockes-Passion, HWV 48 (Handel, George Frideric)
Dirk Kleinke ; Bass [Jesus]: His slightly menacing ”Erwag’, ergimmte Natterbrut”, introduces just the right amount of colouring to this section of the text concerning original sin, albeit a mild example of Brockes’s taste for extravagant images. Peter HarveyJakob Bloch Jespersen. Bach 2 nd performance: Brockes Passion, HWV 48 [ More by Jane Shuttleworth. James Oxley ; Bass: Martin Klietmann’s Evangelist, a tenor role, wins my highest admiration.