Este livro, ‘Pivetes- Encontros entre a psicologia e o judiciário’ busca dar visibilidade a algumas práticas que tentam fugir dos territórios e modelos endurecidos. Manuppella, O “Livro de Cozinha” da Infanta D. Maria de Portugal, lxiii–lxvi. Receptas de pivetes, pastilhas e vvas perfumadas y conserbas, BNE MS Audio Livros – Playlist. 1 video Play all. Play now · Alta performance! – Playlist. 9 videos Play all. Play now · INSTRUÇÃO PARA PIVETES – Playlist. 2 videos Play .
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After our last class I read a little bit more about the controversy between Hooke and Cavendish.
However, I realize that what I am going to do is probably not a reconstruction but an interpretation. Surgeons, less highly ranked on the social ladder, generally acquired the Epitome, a book produced by the same publisher with summary information and only some illustrations, for a lower price.
These ingredients seem to be materials that these women used precisely because they were readily available: Calatayud is perfectly aware that he is only putting in writing the knowledge that they already have. Should they be liquid, solid, powder? On the other hand, always in the background or in a secondary image, there is also the allusion to some sort of miraculous, contemplative labor: I look at this illustration exhibiting the abundance of dissection instruments and my hand instinctively moves as if ready to grab one of them, but all I have with me is my reading weight.
If I were to continue exploring this reflection based on exaggerating Vesalius I would want to explore further the strange simultaneity of contemplation and labor. And you should mix this very well in a stone mortar with a wooden pestle.
Carmen Urbita Ibarreta | Making Meaning: Extracting Knowledge from Matter in Early Modern Europe
Even when their skin, veins, and muscle are collapsing they seem to be actively engaging with the mess — exposing, grabbing, stretching or holding it. Will lviro materials behave in different ways when they are in different states? However, when I was trying to make her remember, she said that the only way for her to remember it is to actually do it.
Ediciones Universidad de Salamanca, ]. The sections about dissection and its instruments never disappeared from the Fabrica.
I feel that just buying the soap would be a further betrayal, so I have decided to fabricate my own. All these books included a mixture of cooking, medicinal, hygienic and cosmetic recipes without any separation, both in terms of their display on the page and in terms of the ingredients used for all these different areas, which often coincided.
I decided to take the recipe assignment as an opportunity to explore how early modern women engaged with materials around them, and pivdtes ways in which they transmitted and preserved the knowledge acquired in their domestic labor. The act of observing these magnified miniatures seems to have a performative effect, like a thrust felt on the body, even when it never actually moves out of its stool at the Nature Lab.
Take half an ounze of storax, and an ounze of liquid benzoin and one quarter of an ounze of green sandalwood. Y mezclarlo heis todo muy bien en un mortero de piedra con la mano de fusta. Taken out of context, these hands are picetes so much passive objects of study as they are extremely busy instruments. I started by looking for Spanish domestic recipe books of the period, and what I first found were manuscripts authored by men addressing a female public, like the Flor del Tesoro de la Belleza.
The establishment of the court attracted a wave of architects, plotters, quarry workers, joiners, bricklayers, sculptors and many other laborers involved in a process of accumulation, demolition and assemblage.
Livro de receptas de pivetes, pastilhas e vvas perfumadas y conserbas – Google Books
These ingredients seem to be materials that these women used precisely because they were readily available: I feel that just buying the soap would be a further betrayal, so I have decided to fabricate my own. Thinking of a final project for this class, I think I would probably like to work with some of these texts, liveo comparison to the objects produced by their authors, to think about what the experience of manual labor could entail beyond the struggle for results. It probably is something quite different.
I read that some parts of the book were shortened while others were expanded, depending on the interest of their readers. My lock of hair looked like wires, or dark spaghetti. As careful as I have tried to be lifro my translation, I feel that, even if linguistically this is the most approximate version, the triple textual translation has probably entailed a material distortion.
And then you will put this together with twelve grams of amber, and a grain of deer-musk water. Chop it very well while spraying it with deer-musk water, and you will chop it until it has absorbed an ounze of deer-musk water. Does this simultaneity of contemplation and labor matter?
Although Livo cannot avoid the compromises of these three-stage process, I feel that probably too many things are lost, or at least changed, in translation. I do some more research and find that, apparently, the flexor-muscle dissection developed into a whole motif, used emblematically in early seventeenth-century anatomy portraits, making the hand agent, instrument and patient of the demonstratio.
At this point I think that to exaggerate the Vesalius is to read the corporis fabrica as a book about hands, forgetting about the rest of the anatomy. Sometimes they point at the blank space in the page. And you should mix this very well in a stone mortar with a wooden pestle. Calatayud is perfectly aware that he is only putting in writing the knowledge that they already have.
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